Disney Attempts to Become Less Singlist: FROZEN, a Review April 1, 2014Posted by Onely in film review, Heteronormativity, Pop Culture: Scourge of the Onelys.
Tags: FROZEN, singles, sisters
FROZEN is mostly just another stupid Disney Princess movie, with one tiny difference. As the film progresses it becomes apparent that our main heroine (a princess) can only be saved from her horrid fate (slowly turning to ice) by an act of True Love. We’re led to believe that this will come in the form of True Love’s Kiss by the bumbling but good-hearted sledgedriver named–something, forget. I’ll call him Burt.
However, in the climactic penultimate action scene, the True Love occurs when–SPOILER ALERT, FOR ALL OUR COPIOUS READERS WHO ARE ALSO DISNEY PRINCESS FANS–the princess selflessly saves her sister’s life. They hug and say “I love you!” Moreover, our princess heroine never even marries Burt. There are no couples riding–or sledging–off into the sunset. Instead, everybody in the kingdom gets together and ice skates. The last “couple” we see up close are the two sisters, skating together.
I grudgingly say “Good for Disney.” Grudgingly, because I loathe Disney, not only for their singlism and marriage mania, but for their sexism and racism. Just some random examples: All the princesses look the same–skinny, with ginormous eyes and tiny or nonexistent ears. They vary only according to hair color or style and–if we’re lucky–skin color. I barely need mention that their fates revolve around men. And in Aladdin, all the Arabs except for Aladdan have accents–meaning that all the bad guys sound like they are actually from the region where the story takes place, whereas Aladdin sounds like he grew up tipping cows in Indiana.
So I look at FROZEN as one small step in a journey of about ten million miles that Disney needs to walk in order to undo all the damage they’ve done to little minds over the years.